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| Photo credit: Mary Cummings |
Adam Rafferty stood on the sidewalk outside Casa Loco (where he was a guest) last Sunday, watching the reflection of his hands in
his rental car’s side window. His nimble fingers attended to each string on his
guitar as I watched him from my own side window and parked my car.
It was a little too cold to chat outside, so we made our way
into the colorful, fun house known as
Whimzey. Adam removed his shoes and sat
cross-legged on bright patterned, vividly colored couch cushions. The previous
night, he and Shaun Hopper had played to an audience under the gazebo, amongst
the ambiance of the bowling balls, metal yard art, and plastic flowers of a
very fun
Christmas past. For those not familiar with this magical place, it’s
an art house, color everywhere, and surrounded by bowling balls. When the
setting and the music collide (like it did for those of us who watched Adam Rafferty
and Shaun Hopper the night before), it feels like you’re experiencing a sort of
magic.
I sat across on my own space of color and started from the
beginning. The old, Where were you born
and raised question. Turns out, Adam Rafferty grew up near Harlem. “It was
different back then,” he said. “When I was there – which was sort of scary --
there was also this scene of music. Now it’s gentrified. Harlem now is brushed steel
and glass.”
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| Photo credit: Holly Apperson |
But besides being in an area of New York rich with the
sounds of some heavy hitters in the music scene, Adam’s dad had his own dreams
of making music. “He had this big boomingly-loud Martin guitar―a D-28. Being
three and hearing somebody play guitar and sing … well, there are certain
things that hit us―they filter through us and go right into the subconscious,”
Adam explained. “That hardwired me for music. I was pretty lucky.”
Adam credits his first teacher, Woody Mann, with much of his
development. “Now with what I do … there’s such a heavy influence from him.” Mann’s
lessons began when Adam was only five years-old. He learned the basics, and
later, classical and jazz. “I still love classical music but was never a stone
cold classical musician,” he said.
“Sure, I studied it―listened to some Bach. Did it for a year in college,
but I found it limiting, discouraging and competitive. Some people triumph, but
I couldn’t withstand the politics or pressure of that world. Then I became interested in jazz.
“I was always busy as a working guitar player,” he
continued. “I did my first pro gig when I was sixteen. I was dabbling in jazz
and then I found my most important guitar teacher. He’s actually from Ft.
Lauderdale: Mike Longo. From ‘64 to ‘71 Longo was Dizzy Gillespie’s pianist. He’s not a household name, but he’s a household name
with jazz musicians.”
Longo
became Adam’s mentor. He taught Adam a lot about harmony and rhythm, arranging,
and composition. “From age nineteen to about thirty-six, I did whatever he told
me.”
He paused, then nodded as he remembered a turning point in
his life. “I had actually started getting some gigs with some well-known band
players―a few with the organ player Dr. Lonnie Smith, who played in early George
Benson records.”
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| Photo credit: Holly Apperson |
Adam Rafferty sees himself as someone who fits in a group of
a multi-cultural sort. The group of musicians who have their heads on tight and want
the audience to have a good time. “A healthy mix of people,” he added.
From 1998 to 2005 he was doing two to three week trips to
Europe every year. “That was before YouTube, before you could send anything
online,” he said. “There was no social media. I had to go to stand alone
websites, go to the Post Office to mail demo CDs. I filled out a million forms.
I had to be such a proactive squeaky wheel. It was really a lot of work.”
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| Credit: Mary Cummings. (Shaun Hopper & Adam Rafferty) |
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He barely broke even and he knew he had to take action to
survive as a working musician. “In Europe it’s cool to be a jazz musician, but
financially it’s hard. You have to pay for each band member’s hotel room,
train and plane tickets, meals. I started to notice that wow―singers and pop
artists can really draw a crowd but instrumental jazz is a slow build. Even for
really well-known people. My last touring experience with a band was
exceptionally stressful. I knew I had to rethink what I was doing.
“A friend of mine asked ‘Did you ever hear this guy Tommy
Emmanuel?’ We popped a DVD in and for the first time I saw somebody playing
solo guitar. In about first fifteen to thirty seconds I knew I could do that,
but with different tunes. I wasn’t sure how, but I knew I’d go about it somehow.”
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| Photo credit: Mary Cummings |
With a new plan, an old guitar, a few songs and lots of inspiration,
Rafferty took a year off. “I had never
practiced so much in my life. I popped
out my first CD. Bought a couple mics and recorded the songs myself. There were all
kinds of sound problems, but there was a vibe. You could hear how much I loved
it. I can’t say that about all my CDs,
but I was coming alive.”
Rafferty sent a CD to Tommy Emmanuel―just to say thank you. “I
wrote a note, telling him he changed my life. On the last line I wrote ‘Watch out. I’m
coming.’” Adam stopped at the memory to laugh. “Yeah, Tommy wrote back. He said,
‘by the way, I can practice more than you can.’ And he’d drawn a little smiley
face.
“You know … when I think about it … he doesn’t realize that
by him putting in all the dues, him putting in all those hours, the incredible Pandora’s
box he opened for everybody else.”
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| Photo credit: Mary Cummings |
Adam remembers when he first put his fingerstyle guitar
video on YouTube. “People went nuts,” he said. “But it was timing and I was
lucky. I did a tune everybody dug. I showed up and hopefully played okay.” He started
talking with a few fans who would later become friends. They encouraged him to head
to Nashville. “Somebody said that I should go down to The Chet Atkins Society,”
Adam said. “When I got there, I was shocked―people knew me.”
Then he was invited to perform with Tommy Emmanuel. “When I finally
met Tommy for the first time, I said, ‘You changed everything.’ Now he’s my
mentor. He sees what I’m doing and he helps me tighten a few screws here and
there,” Adam said. “This summer I sent him Imagine
– the video. He told me to look down the neck of my guitar and smile. He said, ‘You’re
there, Adam. Keep doing what you’re doing.’ That guy changed my life.”
Rafferty understands what his audience wants. Some will
listen to original music and will appreciate it, while others want music they
know. He knew that there was already a Stevie Wonder tribute CD, plenty of
Beatles tributes, but no one had done a tribute CD to the music of Michael
Jackson. People know Michael Jackson’s music, and Adam realized that they
likely didn’t necessarily know of him.
“It was like doing a term paper,” he told
me. “I needed about fifteen tunes. I found the ones that felt like pure inspiration
and then there were the ones that were pure perspiration.
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| Photo credit: Holly Apperson |
“Cover tunes help to hold people. That’s a big cue that I
took from Tommy. And he got it from Chet
Atkins. “
Adam Rafferty will once again soon tour throughout Europe. “I
know what it’s like to live out of a suitcase 120 days a year. There’s a price
to be paid.”
His advice? “If you have something you can sell, don’t count
on it being a CD these days. The gig is one thing you can sell but you have to
be creative and always find something else too.”
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| Photo credit: Holly Apperson |
Thanks, Adam! Travel safe, and we—your Safety Harbor fans―will
look forward to more of your music,
lessons, and great
YouTube videos.
A special Thank You to Holly Apperson and Mary Cummings for the use of their beautiful photographs!
Heather is going for the grant so that she can teach basic community-based mosaic workshops to people of all ages. During one of Heather's workshops students will create a small piece
for themselves and once some skills are learned, they can help to create a piece
or pieces to be donated to the community as a public art installation. "When people participate in creating something for their community it really gives them a sense of ownership and personal pride within their community," Heather said. 
